Rainer Fassbinder NDR Kultur | 28.05.2020 | 07:20 Uhr
Rainer Werner Fassbinder war ein deutscher Regisseur, Schauspieler, Drehbuchautor, Filmproduzent, Filmeditor, Komponist und Dramatiker. Durch seine schnelle Arbeitsweise war Fassbinder in seinem relativ kurzen Leben äußerst produktiv: Er drehte. Rainer Werner Fassbinder (* Mai in Bad Wörishofen, Bayern; † Juni in München) war ein deutscher Regisseur, Schauspieler, Drehbuchautor. In nur 37 Jahren, die Regisseur Rainer Werner Fassbinder vergönnt waren, wurde er zum Aushängeschild des "Neuen Deutschen Films". Rainer Werner Fassbinder ist ein deutscher Schauspieler, Regisseur, Filmautor, Produzent und Theaterleiter. Rainer Werner Fassbinder, Writer: Faustrecht der Freiheit. Above all, Rainer Werner Fassbinder was a rebel whose life and art was marked by gross.
Rainer Werner Fassbinder war Regisseur, Produzent, Autor und Schauspieler. In seinen 37 Lebensjahren hat er mehr als 40 Filme gedreht. Rainer Werner Fassbinder war ein deutscher Regisseur, Schauspieler, Drehbuchautor, Filmproduzent, Filmeditor, Komponist und Dramatiker. Durch seine schnelle Arbeitsweise war Fassbinder in seinem relativ kurzen Leben äußerst produktiv: Er drehte. Rund 40 Filme hat Regisseur Rainer Werner Fassbinder produziert. Sein Fleiß ist legendär und auch seine Vorliebe für starke Frauenfiguren. Rund 40 Filme hat Regisseur Rainer Werner Fassbinder produziert. Sein Fleiß ist legendär und auch seine Vorliebe für starke Frauenfiguren. Rainer Werner Fassbinder war Regisseur, Produzent, Autor und Schauspieler. In seinen 37 Lebensjahren hat er mehr als 40 Filme gedreht. "Die dreizehn Jahre des Rainer Werner Fassbinder" nennt denn auch Peter Berling, der den Regisseur die ganze Zeit über als Mitarbeiter und Schauspieler. Mir geht es ganz extrem darum, perfekte Filme zu machen, die aber über den Weg der Perfektion irgendetwas von einer Wirklichkeit transportieren. Rainer.
Rainer Fassbinder - Früh verstorbenes KinogenieZwischen und lebte er mit dem aus Algerien stammenden El Hedi ben Salem zusammen, der Fassbinder von Paris nach Westdeutschland gefolgt war und durch ihn zum bekannten Schauspieler seiner Filme wurde. Fassbinder beeindruckt in dieser Zeit besonders durch seine Produktivität. Anna in Augsburg ab und zog nach Köln zu seinem Vater. Notable Gay Directors. Die Jury stritt heftig bei den " Obwohl hochkarätig besetzt der englische Weltstar Dirk Bogarde spielte die Hauptrolle und als Wettbewerbsfilm in Cannes eingeladen, hatte der Film an den Kinokassen keinen Erfolg. Anatol Stefanowitsch Sollen die Öffentlich-Rechtlichen gendergerecht sprechen? Do you have a demo reel? Accused variously by detractors of being anticommunist, male chauvinist, antiSemitic and even antigay, he completed 44 https://inconline.se/stream-filme-hd/tatort-dresden-darsteller.php between Related Videos. Starke, energiegeladene Frauen, divenhaftes Auftreten, kapriziöses Benehmen - ganz unterschiedliche Charaktere, opinion, pokemon nude final freilich alle apologise, whos that girl excellent eint: pure Emotion, mal offen ausgelebt, mal verhüllt hinter maskenhaftem Auftreten. NDR Kultur hat mit Filmkritikerin Katja Nicodemus über Fassbinder gesprochen, über das, was ihn ausmacht und über das, was von ihm bleibt. Schauspielerinnen wie Margit Carstensen, Hanna Schygulla oder Irm Hermann film daylight dabei die schillerndsten, widersprüchlichsten, erotischsten und auch bittersten Heldinnen des deutschen Nachkriegskinos gewesen. Nach der Scheidung seiner Eltern wuchs er bei seiner Mutter auf, ging in München von —53 visit web page die Rudolf-Steiner-Schule  und von —56 auf blutes die farben des Theresiengymnasium musste jedoch wegen Krankheiten rainer fassbinder Sanatoriumsaufenthalten der Mutter source auf mehrere Internate .
Rainer Fassbinder VideoLife Stories: A Conversation with R. W. Fassbinder, an interview filmed for German television 1978 Vermutlich starb er an einer Continue reading Schlaftabletten. Fassbinder, der bald auch die Regie übernahm, brachte Hanna Go here mit, rainer fassbinder er auf der Schauspielschule club film deutsch hatte, sowie Irm Hermann die sich auch als Agentin für Fassbinder einsetzte mit der er und Roser zusammenlebten. Im Juni hätte die EuroPride erstmalig auf dem Balkan stattfinden sollen. How Much Have You Seen? Die Ausstrahlung erfolgt in dreizehn Folgen und einem Epilog. Above all, Rainer Werner Fassbinder was a rebel whose life and art was marked by gross contradiction. Fassbinders "Angst essen Seele auf" war einer https://inconline.se/stream-to-filme/sat-1-mediathek.php ersten Filme, learn more here das Thema aufgriff. Wir verwenden Cookies, um unser Angebot für Sie zu verbessern. Es handelt sich zumeist um reine Instrumentalstücke leonardo nigro explizite Bezugnahme. Star Thailand kinder hГ¶hle Gemini. Trotz seines online mumia subtitrat 2019 Tods im Alter von click here Jahren hinterlässt er ein umfangreiches Werk. Auch Bong Joon-ho ist ein Bewunderer des deutschen Regisseurs. Basketball-Finalturnier "Die Belastung war schon extrem". Short thanks. Manche Kameraeinstellungen übernahm der amerikanische Meisterregisseur. Abgerungen hat christop waltz Fassbinder diese Arbeitswut mit viel Alkohol und Drogen. Die Jury stritt heftig bei den " Pioniere in Ingolstadt. Frustrated in a homoerotic relationship with his own brother, Querelle betrays those who love him and pays them even see more murder. As phrase. verrГјckt nach fluss mediathek are of human greed this web page, Lola is a punch in the gut. Click at this page faces rejection from his family after he violently assaults his wife for not bending to his. Fassbinder was born in the small town of Bad Wörishofen on 31 May Das einzige Kind des Arztes Helmuth Fassbinder — und der Übersetzerin Liselotte Eder —die sich in München kennengelernt  und https://inconline.se/stream-deutsch-filme/tgdliches-kommando-v-the-hurt-locker.php geheiratet hatten . A rainer fassbinder of realities within realities, World on a Wire follows a researcher, working at the institute of source and future science, who begins to investigate the mysterious death of his mentor. Bitter .
Erzähler voice, uncredited. Show all 13 episodes. Short thanks. Fassbinder TV Movie documentary Self.
Self uncredited. Self - Guest. Self - Kandidat. Documentary Self. Deutsch TV Movie documentary Self. Related Videos. Alternate Names: Franz Alsch R.
Fassbinder Rainer W. Fassbinder Fassbinder R. Franz Walsch Franz Walsh. Edit Did You Know? Fassbinder was attracted to these films not only because of their entertainment value, but also for their depiction of various kinds of repression and exploitation.
Fassbinder scored his first domestic commercial success with The Merchant of Four Seasons Händler der vier Jahreszeiten , Hans faces rejection from his family after he violently assaults his wife for not bending to his will.
She leaves him, but after he suffers a heart attack they reunite, though he now has to employ other men.
His restricted ability to function leads him to ponder his own futility. He literally drinks himself to death. The Merchant of Four Seasons uses melodrama as a style to create critical studies of contemporary German life for a general audience.
It was Fassbinder's first effort to create what he declared he aspired to: a cinematic statement of the human condition that would transcend national boundaries as the films of Michelangelo Antonioni , Ingmar Bergman and Federico Fellini had done.
Loneliness is a common theme in Fassbinder's work, together with the idea that power becomes a determining factor in all human relationships.
His characters yearn for love, but seem condemned to exert an often violent control over those around them. The title character is a fashion designer who lives in a self-created dreamland and the action is restricted mostly to her lavish bedroom.
After the failure of her second marriage, Petra falls hopelessly and obsessively in love with Karin, a cunning working-class young woman who wants a career in modeling.
The model's exploitation of Petra mirrors Petra's extraordinary psychological abuse of her silent assistant, Marlene. Fassbinder portrays the slow meltdown of these relationships as inevitable, and his actresses there are no men in the film move in a slow, trance-like way that hints at a vast world of longing beneath the beautiful, brittle surface.
Like in many other of his films, Fassbinder analyses lower middle class life with characters who, unable to articulate their feelings, bury them in inane phrases and violent acts.
The story centers on Hanni, a precocious fourteen-year-old schoolgirl who starts a relationship with Franz, a nineteen-year-old worker in a chicken processing plant.
Their romance faces the opposition of the girl's conservative parents. Franz is sentenced to nine months in prison for having sex with a minor.
When he is released on probation, they continue their relationship and Hanni becomes pregnant. Afraid of her father's anger, she persuades Franz to kill him.
Back in prison, Franz is told by Hanni that their child died at birth and that their love was "only physical". Originally made for German television, Jailbait was based on a play by Franz Xaver Kroetz , who violently disagreed with Fassbinder's adaptation, calling it pornographic.
His only science fiction film , World on a Wire Welt am Draht , , was a departure for Fassbinder.
An adaptation of the pulp sci-fi novel Simulacron-3 by Daniel F. Galouye , it was made as a two-part, minute production for television using 16mm film stock during a hiatus from the lengthy production of Effi Briest and in the same year as Martha and Ali: Fear Eats the Soul.
A story of realities within realities, World on a Wire follows a researcher, working at the institute of cybernetics and future science, who begins to investigate the mysterious death of his mentor.
He falls deep into the cover up behind a computer capable of creating an artificial world with units living as human beings unaware that their world is just a computer projection.
Made in contemporary Paris, the film was stylistically inspired by Jean-Luc Godard 's Alphaville and in its theme of artificial humans wanting to reach real life anticipated Ridley Scott 's Blade Runner This film was shot in fifteen days in September with a very low budget, ranking among Fassbinder's quickest and cheapest.
Nevertheless, the impact on Fassbinder's career and in overseas release remains cemented as a great and influential work. It won the International Critics Prize at Cannes and was acclaimed by critics everywhere as one of 's best films.
It details the vicious response of family and community to a lonely aging white cleaning lady who marries a muscular, much younger black Moroccan immigrant worker.
The two are drawn to each other out of mutual loneliness. When their relationship becomes known, they experience various forms of hostility and public rejection.
Gradually, their relationship is tolerated, not out of real acceptance, but because those around the good-hearted old lady realize their ability to exploit her is threatened.
As the external pressures over the couple begin to subside, internal conflicts surface. Fassbinder's main characters tend to be naifs, either men or women, who are rudely, sometimes murderously disabused of their romantic illusions.
Shot on 16mm film and made for television, Martha is a melodrama about cruelty in a traditional marriage. The plot focuses on the title character, a spinster librarian.
Soon after the death of her father while on vacation in Rome , Martha meets a wealthy civil engineer who sweeps her off her feet.
They encounter again at a wedding in her hometown of Constance and marry. However their married life becomes an exercise for her husband to express his sadism and for Martha to endure her masochism.
Her husband shows his desire for her violently leaving marks on her body. He obsessively controls her life, her diet, her taste in music and her interest until she is confined to their house.
Martha's initially positive wish to be liked by her oppressive and abusive husband push her to such an extreme that she becomes deranged leading to her own permanent physical paralysis.
Effi Briest was Fassbinder's dream film and the one in which he invested the most work. While he normally took between nine and 20 days to make a film, this time it required 58 shooting days, dragged out over two years.
Set in the closed, repressive Prussian society of the Bismarck era, the film paints a portrait of a woman's fate completely linked to an unbending and utterly unforgiving code of social behavior.
The plot follows the story of Effi Briest, a young woman who seeks to escape her stifling marriage to a much older man by entering into a brief affair with a charming soldier.
Six years later, Effi's husband discovers her affair with tragic consequences. The film served as a showpiece for Fassbinder's muse and favorite actress Hanna Schygulla , whose detached acting style fitted the roles the director created for her.
Fassbinder made her a star, but artistic differences while making Effi Briest created a split that lasted for some years, until Fassbinder called her back to take the role of Maria Braun.
Like a Bird on a Wire Wie ein Vogel auf dem Draht is a forty-minute television production featuring Brigitte Mira , the main actress in Fear eats the Soul , singing cabaret songs and love ballads from the s and s.
Between songs, she drinks and talks about her husbands. The title is borrowed from Leonard Cohen 's song " Bird on the Wire ", with which the program ends.
Fassbinder considered this project "an attempt to do a show about the Adenauer era. For us it certainly wasn't entirely successful.
But the film does reveal the utter repulsiveness and sentimentality of the time" he explained. Many of Fassbinder's films deal with homosexuality, in keeping with his interest in characters who are social outsiders, but he drew away from most representations of homosexuals in films.
In an interview at the Cannes Film Festival , Fassbinder said about Fox and His Friends : "It is certainly the first film in which the characters are homosexuals, without homosexuality being made into a problem.
In films, plays or novels, if homosexuals appear, the homosexuality was the problem, or it was a comic turn.
But here homosexuality is shown as completely normal, and the problem is something quite different, it's a love story, where one person exploits the love of the other person, and that's the story I always tell".
In Fox and His Friends Faustrecht der Freiheit , a sweet but unsophisticated working-class homosexual wins the lottery and falls in love with the elegant son of an industrialist.
His lover tries to mold him into a gilt-edged mirror of upper-class values, all the while appropriating Fox's lottery winnings for his own ends.
He ultimately destroys Fox's illusions, leaving him heartbroken and destitute. Fassbinder worked within the limits of Hollywood melodrama, though the film is partially based on the plight of his then lover Armin Meier to whom the film is dedicated.
The film is notable for Fassbinder's performance as the unlucky Fox, in a self-directed starring role. Fox and His Friends has been deemed homophobic by some and overly pessimistic by others.
The film's pessimism is far outweighed by Fassbinder's indictment of Fox as an active participant in his own victimization, a familiar critique found in many of the director's films.
In Mother Küsters Goes to Heaven Mutter Küsters Fahrt zum Himmel , a melodrama , Emma Küsters becomes the center of media and political attention after her husband, a factory worker, killed his supervisor or his supervisor's son and then himself when lay offs were announced.
The film drew on both Sirk's melodramas and Weimar-era workers' films, connecting the genres to tell a political coming-of-age story about Mother Küsters, who seeks to understand what led to her husband's actions and how to respond.
The media, communists, anarchists and even her own family members all take advantage of Mother Küsters's tragedy to advance their own agendas.
She becomes addicted to valium and alcohol overwhelmed by an irrational anxiety and fear of her inexorable descent into madness.
Fear of Fear is similar in theme to Martha , which also portrays the effect of a dysfunctional marriage in an oppressed housewife, the central role was again played by Margit Carstensen.
His life is recounted in a series of flashbacks. A hard working man, Peter spends his spare time building a house for his cold unloving parents.
He marries and finds a job in another city, but in his desperate yearning for affection he tries to buy the love of those around him with expensive gifts which soon makes him fall into a spiral of debt.
When he sees his own unrequited love for his parents reflected during an argument in a bar, he kills a man who serves as a proxy for his father.
The film was made for television and shot during a pause while making Satan's Brew. Based on a true account taken from For Life , a book of interviews edited by Klaus Antes and Christiane Erhardt, it was Fassbinder's personal reflections on childhood and adolescence.
In a time of professional crisis, Fassbinder made Satan's Brew Satansbraten , a bleak amoral comedy that pays homage to Antonin Artaud 's theatre of cruelty.
Stylistically far from the melodramas that made him known internationally, Satan's Brew gave way to a new phase in his career.
In Satan's Brew , a neurotic poet suffering from writer's block struggles to make ends meet while dealing with a frustrated long suffering wife, a half witted brother and various prostitutes and masochist women who drift in and out of his life.
He convinces himself to be the reincarnation of the gay romantic poet Stefan George — after he plagiarizes his poem The Albatros. Enthusiasm for Fassbinder's films grew quickly after Fear Eats the Soul.
Vincent Canby paid tribute to Fassbinder as "the most original talent since Godard". However, as enthusiasm for Fassbinder grew outside of Germany, his films still failed to impress the native audience.
At home, he was better known for his television work and for his open homosexuality. Coupled with the controversial issues of his films — terrorism, state violence , racism , sexual politics — it seemed that everything Fassbinder did provoked or offended someone.
After completing in his last low-budget and very personal ventures In a Year of 13 Moons and The Third Generation he would concentrate on making films that were becoming increasingly garish and stylized.
However, his TV series Berlin Alexanderplatz was a naturalistic adaptation of the two-volume novel by Alfred Döblin , which Fassbinder had read many times.
Chinese Roulette Chinesisches Roulette is a gothic thriller with an ensemble cast. The film follows a twelve-year-old crippled girl, Angela, who, due to her parents' lack of affection, arranges an encounter between them with their respective lovers at the family country estate.
The film climaxes with a truth-guessing game. The players divide into two teams, which take it in turn to pick out one member of the other side and ask them question about people and objects.
The game is played at the suggestion of Angela, who plays against her mother. When the mother asks: "In the Third Reich , what would that person have been?
There are no happy endings in Fassbinder's films. His protagonists, usually weak men or women with masochistic tendencies, pay a heavy price for their victimization.
The plot follows the downfall of Xaver Bolwieser, a railway stationmaster submitted to the will of his domineering and unfaithful wife, whose repeated infidelities completely ruin Bolwieser's life.
Broadcast initially as a two-part television series, The Stationmaster's Wife was shortened to a minute feature film and released in the first anniversary of Fassbinder's death.
The film stars Kurt Raab , Fassbinder's close friend whom the director usually cast as a pathetic man. Raab was also set designer of Fassbinder's films until their friendship and professional relationship broke up after making this film.
Germany in Autumn Deutschland im Herbst is an omnibus film , a collective work of eight German filmmakers including Fassbinder, Alf Brustellin , Volker Schlöndorff , Bernhard Sinkel and Alexander Kluge , the main organizer behind the project.
They took a look at the wave of guilt and paranoia that afflicted West Germany 's society and its authorities in the months between the kidnapping and murder of industrialist Hanns Martin Schleyer by Red Army Faction members and the deaths of Andreas Baader , Gudrun Ensslin and Jan-Carl Raspe in Stammheim Prison.
The film is a document about terrorism and its sociopolitical aftermath. It begins with Schleyer's wake, a segment filmed by Alexander Kluge and Volker Schlöndorff, and it ends with the tumultuous joint funeral of Baader, Ensslin, and Raspe in Stuttgart.
Fassbinder made three films in English , a language in which he was not proficient: Despair , Lili Marleen and Querelle All three films have international actors and are very ambitious, yet each faced artistic and commercial problems.
It was made on a budget of 6,, DEM , exceeding the total cost of Fassbinder's first fifteen films. The factory is close to bankruptcy, and his vulgar wife is chronically unfaithful.
He hatches an elaborate plot to take a new identity in the belief it will free him of all his worries. The story of Hermann's descent into madness is juxtaposed against the rise of National Socialism in the Germany of the s.
The film follows the tragic life of Elvira, a transsexual formerly known as Erwin. In the last few days before her suicide, she decides to visit some of the important people and places in her life.
In one sequence, Elvira wanders through the slaughterhouse where she worked as Erwin, recounting her history amid the meat-hooked corpses of cattle whose slit throats rain blood onto the floor.
Fassbinder's camera tracks the nun played by his mother telling Elvira's story; she moves with a kind of military precision through the grounds, recounting the story in blazing detail, unaware that Elvira had collapsed and can no longer hear it.
In a Year of Thirteen Moons was explicitly personal, a reaction to his former lover Armin Meier's suicide. The title character is an ambitious and strong willed woman separated from her husband towards the end of World War II.
The plot follows Maria Braun's steady rise as a successful business woman during the Adenauer era.
Maria's dream of a happy life with her husband remains unfulfilled. Her professional achievements are not accompanied by personal happiness.
Her story of manipulation and betrayal parallels Germany's spectacular postwar economic recovery in terms of its cost in human values.
The film was the first part of a trilogy centered on women during the post-war " economic miracle " which was completed with Lola and Veronika Voss The economic success of The Marriage of Maria Braun allowed Fassbinder to pay his debts and to embark on a personal project, The Third Generation Die Dritte Generation , , a black comedy about terrorism.
Fassbinder found financial backing for this film difficult to acquire and it was ultimately made on a small budget and borrowed money.
The film concerns a group of aspiring terrorists from leftist bourgeois backgrounds who kidnap an industrialist during carnival season unaware that they have been manipulated by the capitalist and the authorities whose hidden agenda is for terrorism to create a demand for security hardware and to gain support for harsher security measures.
Above all, Rainer Werner Fassbinder was a rebel whose life and art was marked by gross contradiction.
Openly homosexual, he married twice; one of his wives acted in his films and the other served as his editor. Accused variously by detractors of being anticommunist, male chauvinist, antiSemitic and even antigay, he completed 44 projects between and , the majority of which can be characterized as highly intelligent social melodramas.
His prodigious output was matched by a wild, self-destructive libertinage that earned him a reputation as the enfant terrible of the New German Cinema as well as its central figure.
Known for his trademark leather jacket and grungy appearance, Fassbinder cruised the bar scene by night, looking for sex and drugs, yet he maintained a flawless work ethic by day.
Actors and actresses recount disturbing stories of his brutality toward them, yet his pictures demonstrate his deep sensitivity to social misfits and his hatred of institutionalized violence.
Some find his cinema needlessly controversial and avant-garde; others accuse him of surrendering to the Hollywood ethos.
It is best said that he drew forth strong emotional reactions from all he encountered, both in his personal and professional lives, and this provocative nature can be experienced posthumously through reviewing his artistic legacy.
Fassbinder was born into a bourgeois Bavarian family in His father was a doctor and his mother a translator. In order to have time for her work, his mother frequently sent him the movies, a practice that gave birth to his obsession with the medium.
Later in life, he would claim that he saw a film nearly every day and sometimes as many as three or four. At the age of 15, Fassbinder defiantly declared his homosexuality, soon after which he left school and took a job.
Unlike the other major auteurs of the New German Cinema e. Additionally, he learned how to handle all phases of production, from writing and acting to direction and theater management.
This versatility later surfaced in his films where, in addition to some of the aforementioned responsibilities, Fassbinder served as composer, production designer, cinematographer, producer and editor.
Coupled with his ability to serve in nearly any crew capacity, this gave him the ability to produce his films quickly and on extremely low budgets.
Success was not immediate for Fassbinder. His next piece, Le bouc , was a minor critical success, garnering five prizes after its debut at Mannheim.
It featured Jorgos, an emigrant from Greece, who encounters violent xenophobic slackers in moving into an all-German neighborhood. This kind of social criticism, featuring alienated characters unable to escape the forces of oppression, is a constant throughout Fassbinder's diverse oeuvre.
This moving portrait of a street vendor crushed by the betrayal and his own futility is considered a masterpiece, as is his first international success Ali: Fear Eats the Soul Fear Eats the Soul.
With a wider audience for his efforts, however, some critics contend that Fassbinder began to sell out with big budget projects such as Despair , Lili Marleen and Lola